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December, 2006
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January, 2005
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October, 2004
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April, 2004
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Most Recent Posts
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Robbie's Blog -
Life as a Musician
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Monday, 25 June 2007 |
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I'm not talking about "listening to your inner bark" here (although perhaps some of the same listening techniques could be employed). I'm talking about what I've previously referred to as "the notes that nobody else wanted" or "those messy inner parts". Think second violin or second soprano. Altos and violas. As an "outer voice" player (bass line and/or melody) I never really had to deal much with the stuff in the middle. It's sometimes nice to listen to, it occasionally adds spice or life to the music, but I've never really paid it much attention. This past weekend I had the challenge of playing tenor viol (an instrument I've performed on exactly once before), reading my least favorite clef (alto), and playing 2nd and 3rd parts (really inner voices) in works by 16th/17th century composers John Bennet, John Bull, Orlando Gibbons, and Anthony Holborne. The event was part of the Centenary United Methodist Church in Richmond, Virginia Classics music series conducted by Stan Baker.
After getting over the usual "what clef is this?" "what instrument is this?" confusion I settled into trying to wrap my mind around these cast off notes. That's really what they seemed like at first. The notes nobody else wanted. In music of this period there are not a lot of parallel harmonies. A part that follows the melody a third away I can hear. No - these parts seem to occupy their own little space in the universe - a place I've never been before. I kept trying to play the notes I THOUGHT should be there but my intuition was almost always wrong. Much of the time I was doubling singers but I found that I had trouble hearing the singer I was doubling because my ear kept going to the person singing the bass or lowest part - or the person singing the highest part. This gave me new appreciation of those people who play and sing the middle parts as part of their daily lives - second violinists and violists - what a different way to hear the music - from the inside out! It does truly take listening deeper to appreciate these parts.
By concert time I was finally able to hear my way around the music - I finally found my partners in the chorus and began to hear the odd but beautiful melodies that made up these middle parts. To hear only the outer voices is like a skeleton with a beautiful face - no substance, no body. I will make a point of listening for those juicy inner parts in the future.
I should add that I did get to play some "outer voices". The program ended with the Handel Jubilate for the Peace of Utrecht. I played violone - the Duff Dawg, built by John Pringle and on generous loan from Duff (thanks!!!). Mr. Handel really knew how to write a bass line and bassists of all types and inclinations would do well to study his lines many of which could stand alone as melodies.
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The News -
Site News
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Saturday, 16 June 2007 |
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Pardon the temporary new look. I have been using Randy Carver's "Rocky Mountain Sunrise" template (modified to show our own Eno River) for quite some time. If you've been using Firefox (which you should) you would have seen the semi-transparent panes with the Eno River image in the background. That "other" browser (IE) wouldn't show the transparency so the effect was lost. But the template had other problems which I thought I would get around to fixing but that involves teaching myself CSS among other things and I just haven't had the time. So - various aspects of this site have not been displaying properly in ANY browser. I've changed over to one of Netshine's more business-like templates simply because it works and it's uncluttered. Eventually I'll get back to the more "artsy" look.
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The News -
Out in the World
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Wednesday, 13 June 2007 |
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You might not have seen this article - it
was on the obituary page of our paper. A Charlotte, NC man is fined
$1000 for using veggie oil in his car. He is theatened with further
federal fines and told to get a permit to use biofuel he has to put
up a $2500 bond. OK - so our laws have not kept up with the times
once again. And while I agree that if we're going to fund our
roads with fuel taxes then everyone needs to contribute their share
- I think the state needs to back off and stop harassing these
people until they get the system figured out and let everyone know
what the rules are.
News and Observer article HERE
and an interesting Slashdot discussion HERE. |
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Robbie's Blog -
Life as a Musician
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Friday, 11 May 2007 |
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It's a cello Friday and the music of the Scots. I'll be playing this evening with fiddler Mara Shea who is quickly becoming one of my favorite music partners. I'm not a big fan of Scottish fiddle music but it's one of Mara's specialties and we've played for a few dances together. It'll be fun and I'm learning to love the music. Mara's great at it and it's a treat just to be able to hear her. It's just a short program outdoors around the campfire (if it doesn't rain, otherwise indoors) so bring your bug repellent or have that big garlic dinner you've been wanting. 7:00 - 8:00 PM at the Durant Nature Park. Here's a Google Map link.
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Good Links -
Links for Today
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Wednesday, 09 May 2007 |
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What I'm listening to today: Bass and Voice - nothing else. Rhonda Withnell and Don Bradshaw - Beautiful Music!
More info on the Internet Radio fees debacle from Chilling Effects
The Solar Tower of Power
MSNBC's take on Twitter. Hmmm - wouldn't load in Firefox? Wonder why.....
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Robbie's Blog -
Life as a Musician
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Sunday, 29 April 2007 |
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Two events last weekend by organizations that I've been involved with for a very long time reminded me of the importance of dedicated teachers in the arts. The Duke University Pre-Collegiate String School (or DUSS), founded by Dorothy Kitchen, celebrated it's 40th anniversary Saturday. I've had the privilege of working with Dorothy for almost 25 years now and have witnessed her transform/mold/empower/encourage the lives of so many young people. Through an era of schools cutting back on music ensembles she kept string playing alive and well in the Triangle. In a world that rewards cheating and cutting corners she gives her students the permission to work toward perfection and helps them find the rewards and joys of putting your heart and soul and sweat and tears into making beautiful music happen. That she has done this for so many years, and continues to do it with a grueling teaching schedule in addition to being a wife, mother, grandmother and a person with many, many other interests in the world is a tribute to her dedication to making real, quality music-making a possibility for every young person who wants it.
Another wonderful person making the arts a reality for young people is Gene Medler, founder and director of the North Carolina Youth Tap Ensemble. I played (in a jazz trio) for NCYTE's Spring Concert last weekend. First off, this is NOT your average children's tap group. NCYTE is THE standard for youth tap across the country. The NCYTE approach reminds me of the Suzuki teaching approach. The company performs many of the same pieces year to year along with some newly choreographed works and reworked older ones. The older kids teach the dances to the younger kids. There is a lot of one-on-one between the students with very little intervention on the part of the teacher. Guest artists/teachers from the professional world of tap as well as former students drop in to round out the mix. There is a real sense of community there as well as some friendly competition. But all are working together for the good of the company.
The DUSS approach is much more top-down which is understandable given that the process involves private lessons with a teacher and orchestras with a conductor. But as I said - both methods yield excellent results. Gene Medler and Dorothy Kitchen's approaches to teaching are probably
miles apart but the result is the same - young people with a very high
degree of artistic excellence and enthusiasm.
Seeing/hearing the young people in performance is the reward for the rest of us. I highly recommend you keep an eye out for upcoming performances by these groups.
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It is now 9:46 pm Thu 24 Jul 2008 on the Eno River
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