THE APPLE TREE
Harnick, Bock and Coopersmith
August 17-26, 2006
The lyricists/composers of Fiddler on the Roof (Harnick/Bock) turned their attention to the eternal struggle between man, woman, and the devil for their next project. In three distinct, one-act musicalizations of famous short stories, the battle of the sexes through the forces of good and evil receives a witty, moving, and altogether delightful examination.
THOMPSON THEATRE

Playing bass with music director/pianist Julie Florin and others 

THE APPLE TREE
Harnick, Bock and Coopersmith
August 17-26, 2006
The lyricists/composers of Fiddler on the Roof (Harnick/Bock) turned their attention to the eternal struggle between man, woman, and the devil for their next project. In three distinct, one-act musicalizations of famous short stories, the battle of the sexes through the forces of good and evil receives a witty, moving, and altogether delightful examination.
THOMPSON THEATRE

Playing bass with music director/pianist Julie Florin and others

THE APPLE TREE
Harnick, Bock and Coopersmith
August 17-26, 2006
The lyricists/composers of Fiddler on the Roof (Harnick/Bock) turned their attention to the eternal struggle between man, woman, and the devil for their next project. In three distinct, one-act musicalizations of famous short stories, the battle of the sexes through the forces of good and evil receives a witty, moving, and altogether delightful examination.
THOMPSON THEATRE

Playing bass with music director/pianist Julie Florin and others 

On the lawn at Weaver Street Market

THE APPLE TREE
Harnick, Bock and Coopersmith
August 17-26, 2006
The lyricists/composers of Fiddler on the Roof (Harnick/Bock) turned their attention to the eternal struggle between man, woman, and the devil for their next project. In three distinct, one-act musicalizations of famous short stories, the battle of the sexes through the forces of good and evil receives a witty, moving, and altogether delightful examination.
THOMPSON THEATRE

Playing bass with music director/pianist Julie Florin and others 

Playing bass with jazz vocalist Stephanie Nakasian and pianist Hod O'Brien

Viva Vivaldi! A Gala Opening Concert

Celebrate the opening of our third season with Antonio Vivaldi’s Gloria in D Major performed by chamber choir, soloists, and an orchestra of period instruments. Also on the program are a selection of Vivaldi’s cantatas and concertos featuring Greek soprano Maria Georgakarakou, countertenor Michael Albert, baroque oboist Alicia Chapman, and baroque cellist Barbara Blaker Krumdieck.

Charles Pettee and FolkPsalm to perform free concert at Church of the Holy Family, Chapel Hill, on Sat., 9/30/06 at 7:30 pm

Concert to present new acoustic/Bluegrass settings for Old Testament Psalms.

Music by Handel, Bach, Vitali as well as some traditional folk songs.

Period instrument performance.

For more info call - 770-924-8182

Peace College Chamber Singers and Choir and Orchestra. Annual Christmas Concert.

Peace College Chamber Singers and Choir with Orchestra. Annual Christmas Concert.

with orchestra
Saturday, December 9, 8:00 p.m.
Sunday, December 10, 4:00 p.m.
Duke University Chapel (Durham)
$15 adults; students admitted free

Our Christmas concert features J.S. Bach’s splendid Magnificat, certainly the best known of all settings of canticle of the Blessed Virgin Mary, from the gospel of Luke. One of the most familiar and appealing of Bach’s choral works, the Magnificat is scored for five soloists and a five-part chorus, with trumpets, flutes, oboes, strings, and continuo. Avoiding recitative and da capo arias, the work opens and closes with full chorus and orchestra, and solo movements alternate with choral sections to vividly depict the text. Opening our concert and complementing Bach’s jubilant and sparkling cantata is a selection of traditional German and Austrian carols in arrangements by such composers as David Willcocks, John Rutter, Reginald Jacques, Jackson Berkey, and Daniel Gawthrop.

with orchestra
Saturday, December 9, 8:00 p.m.
Sunday, December 10, 4:00 p.m.
Duke University Chapel (Durham)
$15 adults; students admitted free

Our Christmas concert features J.S. Bach’s splendid Magnificat, certainly the best known of all settings of canticle of the Blessed Virgin Mary, from the gospel of Luke. One of the most familiar and appealing of Bach’s choral works, the Magnificat is scored for five soloists and a five-part chorus, with trumpets, flutes, oboes, strings, and continuo. Avoiding recitative and da capo arias, the work opens and closes with full chorus and orchestra, and solo movements alternate with choral sections to vividly depict the text. Opening our concert and complementing Bach’s jubilant and sparkling cantata is a selection of traditional German and Austrian carols in arrangements by such composers as David Willcocks, John Rutter, Reginald Jacques, Jackson Berkey, and Daniel Gawthrop.

Bach Christmas Oratorio Parts 5 & 6 and other works.