Robbie Link






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the sound of no hands clapping PDF Print E-mail
Sunday, 22 October 2006

What if they gave a concert and no one came?

It's a running joke/sad truth amongst musicians about the shows where the band outnumbers the audience. I've been there. It doesn't matter if it's an eighty piece orchestra with fifty people in the audience or a quintet with an audience of three. It feels bad either way. But it can be good. I played in Dana Auditorium in Greensboro, NC, once. It's a large concert hall. There were four of us. Well - the audience did outnumber the band but not by much - I think there were 15 of them. We put chairs on stage so they would be right up next to us and it was great - like a living room concert. I think they even had a sofa up there that was a prop for some theater piece. The audience loved the intimacy and we got to play acoustically just like playing at home.

But it's never happened before to me that simply not one person showed up for the gig until last Tuesday in Rocky Mount, NC. The Imperial Centre is Rocky Mount's new arts and science complex. It was built with FEMA money (Rocky Mount was badly flooded during huricane Floyd) and private donations. It's a beautiful performance space - looks like it seats around 800. Nice facilities, good acoustics. I believe it opened early this year and they've had some theater productions in there. According to the tech guy ours was the first music performance in the new space. I was playing bass with the David D. Trio - David DiGiuseppe on accordion, and Beverly Botsford, percussion. Sound check went quickly and well - excellent staff there at the Imperial (that name really bothers me, though). It seemed that there had been no advance ticket sales and I jokingly suggested we round up some folding chairs to put on stage in case we only had 10 listeners. But by showtime it was clear that it was no joke - not one person had shown up. Our host assured us we would have "a small audience" and by 8:15 a group of 12 people walked in and we scoured the dressing rooms for folding chairs. Our audiece was a tap dance class that had been meeting in another part of the complex and been drafted to be our audience. They were augmented by a few staff members dragged out of their offices. 

This story could have had a sad ending - us packing up and driving home without playing a note but I think I enjoyed it even more than if we'd had a crowd of hundreds. Our new friends were ecstatic with the music they had no idea they were going to be hearing. They got to ask questions during the performance, we were much more relaxed than we would have been playing across the void between stage and rows of plush seats, and a very good time was had by all.

And in the great tradition of bureaucratic organizations - the check is in the mail...... 

 
Pete and Woody and Me PDF Print E-mail
Friday, 20 October 2006

I've had the privilege of sharing the stage with many wonderful and famous musicians over the years - from Isaac Stern and Jean Pierre Rampal to Margaret Whiting and Patti Page to Tal Farlow and Charlie Byrd. But on October 5th I got to perform with one of America's greatest living legends - Pete Seeger. At 87 years old Pete is as powerful as ever and the sold out crowd at the Birchmere was all ears and appreciation for Pete and all the rest of the musicians performing the Woody Guthrie Tribute. 

There's a review here.

Pete told some wonderful stories about his times with Woody and though his voice was a bit wispy at the beginning of the show he was booming by the end. The man loves to talk about the state of things and is a convincing communicator. He's also wonderful to look at. He still looks great and is always photogenic. With his Clearwater cap and banjo slung over his shoulder, jeans and work shirt he looks much as did when I last saw him over 30 years ago. His singing is clear and, of course, the audience needs very little encouragement to sing along with him. His banjo playing is as sparse and elegant as ever.

There were many fine musicians on the program and we all played together and in various combinations.  I was there with Baldemar Velasquez and Jesse Ponce representing FLOC. I'm playing on their new CD which should be out soon  - all sales go to support FLOC's work. The show was MC'd by Cathy Fink who, with Marcy Marxer, introduced us to some of Woody's wonderful children's songs. Woody's grandaughter, Sarah Lee Guthrie and her partner Johnny Irion were the charming duo of the evening - beautiful singing and playing. The program was organized by Joe Uehlein and his band The U-Liners provided some kick-ass playing for the evening. Watch out for their young, hot guitarist Avril Smith - she'll be making waves soon.

The Birchmere is a wonderful place to play. They take good care of the musicians and it's smoke-free and people go to listen to the music instead of socialize (signs on the tables request that you not talk during the performance).

All in all it was one of the most uplifting concerts I've been involved with for a long time. 

 
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